Cultural work: a local study on labor conditions in three cultural subsectors
-
Jesús Eduardo Oliva Abarca
JESUS.OLIVAABR@uanl.edu.mx
Downloads
Abstract
This paper presents the research results of an analysis of labor conditions on three cultural sub-sectors. The research was focused on the sub-sectors of the visual arts, the audiovisual production, and the graphic design in Nuevo León, one of the most developed states of México. The theoretical framework that sustains this study addresses the typologies of cultural and creative industries, as well as previous studies on cultural and creative work. The methodological approach is qualitative, since the cultural workers‘ perceptions, opinions, and experiences were a valuable data source. The research strategies employed were the participant observation and the semi-structured interview. The collected data were organized into three categories: the labor regimes, the discursive representation, and the development perspectives of the cultural workers. Based on the research results, it is confirmed in the conclusions that the cultural work is characterized by scarcity, moonlighting, and self-employment.
Palabras Clave
ADORNO, Th. & HORKHEIMER, M. (1998). Dialéctica de la Ilustración. Fragmentos filosóficos. Madrid: Trotta.”¨
Amores, J. E. (2007). Monterrey: una cultura propia, en ORTEGA RIDAURA, I. (Coord.). Nuevo León en el siglo XX. Del Segundo auge industrial a la crisis de 1982, Monterrey: Fondo Editorial de Nuevo León, pp. 73-107.
ÁLVAREZ-GAYOU JURGENSON, J. L. (2012). Cómo hacer investigación cualitativa. Fundamentos y metodología. México: Paidós.
BECKER, H. S. (2008). Los mundos del arte: sociología del trabajo artístico. Bernal: Universidad Nacional de Quilmes.
BENJAMIN, W. (2003). La obra de arte en la época de su reproductibilidad técnica. México: Itaca.
BOURDIEU, P. (2002). Campo de poder, campo intelectual. Itinerario de un concepto. Tucumán: Montressor.
COLBERT, F. & CUADRADO, M. (2015). Marketing de las artes y la cultura. Barcelona: Ariel.
COLLINS, H. (2015). Creative Research. The Theory and Practice of Research for the Creative Industries. New York: Bloomsbury Publishing.
CORBETTA, P. (2007). Metodología y técnicas de investigación social. Madrid: McGraw-Hill.
DAVIES, R. & Sigthorsson, G. (2013). Introducing the Creative Industries. From Theory to Practice. California: Sage Publications.
EINARSSON, Á. (2016). Cultural Economics. Iceland: Bifröst University.
FLEW, T. (2012). The Creative Industries. Culture and Policy. California: Sage Publications.
FLORIDA, R. (2012). The Rise of the Creative Class. New York: Basic Books.
GORZ, A. (1991). Metamorfosis del trabajo. Búsqueda del sentido. Crítica de la razón económica. Madrid: Sistema.
HALL, S. (2010). Sin garantías: trayectorias y problemáticas culturales. Bogotá: Envión editores.
HARTLEY, J., et al (2013). Key Concepts in Creative Industries. California: Sage Publications.
HESMONDHALGH, D. (2013). The Cultural Industries. California: Sage Publications.
HESMONDHALGH, D. & BAKER, S. (2011). Creative Labour. Media work in three cultural industries. New York: Routledge.
LEWIS, J. (1990). Art, Culture and Enterprise. The Politics of Art and the Cultural Industries. New York: Routledge.
MAANEN, H. (2009). How to Study Art Worlds. On the Societal Functioning of Aesthetic Values. Amsterdam: Amsterdam University Press.
MARGULIS, M. (2009). Sociología de la cultura: conceptos y problemas. Buenos Aires: Biblos.
MARX, K. (2008). El capital. Crítica de la economía política. El proceso de producción de capital. Libro primero. México: Siglo XXI.
MCROBBIE, A. (2016). Be Creative. Making a Living in the New Culture Industries. Cambridge: Polity Press.
O‘BRIEN, D. (2014). Cultural Policy. Management, Value and Modernity in the Creative Industries. New York: Routledge.
O‘CONNOR, J. (2010). The Cultural and Creative Industries: a Literature Review. London: Creativity, Culture and Education.
OAKLEY, K. (2009). ‘Art Works‘-Cultural Labor Markets: A Literature Review. London: Creativity, Culture and Education.
PIEDRAS, E. (2004). ¿Cuánto vale la cultura? Contribución económica de las industrias protegidas por el derecho de autor en México. México: CONACULTA.
PNUD (2014). Informe sobre la economía creativa. México: UNESCO. Recuperado de http://www.unesco.org/culture/pdf/creative-economy-report-2013-es.pdf.
ROWAN, J. (2010). Emprendizajes en cultura. Discursos, instituciones y contradicciones de la empresarialidad cultural. Madrid: Traficantes de Sueños.
RUBIO ELOSÚA, E. (2000). De promotores, instituciones y políticas culturales, en MOYSSÉN, X. (Ed.). Artes Plásticas de Nuevo León. 100 años de historia, siglo XX, Monterrey: Museo de Monterrey, pp. 155-196.
SMITH, A. (2015). La riqueza de las naciones. (Edición electrónica). Recuperado de http://ceiphistorica.com/wp-content/uploads/2016/04/Smith-Adam-La-Riqueza-de-las-Naciones.pdf.
TOWSE, R. (2013). A Textbook of Cultural Economics. New York: Cambridge.
THROSBY, D. (2008). Economía y cultura. México: CONACULTA.
UNESCO (2002). Cultura, comercio y globalización. Preguntas y respuestas. UNESCO/CERLALC.
VALLES, M. (1999). Técnicas cualitativas de investigación social. Reflexión metodológica y práctica social. Madrid: Síntesis.
WEBER, M. (1994). Sociología del trabajo industrial. Madrid: Trotta.
YÚDICE, G. (2002). El recurso de la cultura. Barcelona: Gedisa.
ZALLO, R. (1992). El mercado de la cultura. Estructura económica y política de la comunicación. Navarra: Hirugarren Prentsa.
Similar Articles
- Eduardo Raíces, From the secret Argentina to youth emergence. Cultural analysis and politics in the Peronist magazine Línea (1980-1982) , Perspectivas de la Comunicación: Vol. 13 No. 2 (2020): July-December
- Montserrat Vidal-Mestre, Alfonso Freire-Sánchez, Maria Fitó-Carreras, The journalistic discourse and the elements of message transmission in the podcast and the audiovisual docuseries of true crime. The case of El asesino de la baraja , Perspectivas de la Comunicación: Vol. 17 (2024): (Publishing on a rolling basis)
- Carlos Muñiz, Mexican contribution to the study of political communication. Bibliometric analysis of papers in open access journals , Perspectivas de la Comunicación: Vol. 17 (2024): (Publishing on a rolling basis)
- Bernadette Califano, Political economy of communication: from its origins to the consolidation of the field in Latin America , Perspectivas de la Comunicación: Vol. 14 No. 2 (2021): July - December
- Hasnaa Louhmadi, Culture and development in Morocco: an analytical approach to the cultural issue in the New Development Model , Perspectivas de la Comunicación: Vol. 17 (2024): (Publishing on a rolling basis)
- Eugenia Blasetti, Emma Garzonio, The social representation of migrants during the COVID-19 pandemic. An Italian case study on hostile narratives and visual political communication , Perspectivas de la Comunicación: Vol. 15 No. 2 (2022): July - December
- Florian Lippert, Watching Europe watching its borders. Cultural self-reflection and surveillance in films about migration [Bilingual edition: Spanish – English] , Perspectivas de la Comunicación: Vol. 11 No. 1 (2018): january - august
- José Luis Torres-Martín, Andrea Castro-Martínez, Pablo Díaz-Morilla, Cristina Pérez Ordóñez, Women executives and creators in the audiovisual sector. Analysis of Spanish fiction series in the catalogs of Amazon Prime Video, Movistar+, and Netflix (2019-2021) , Perspectivas de la Comunicación: Vol. 15 No. 2 (2022): July - December
- Judith Jansma, Populism and literature: Mapping the debate on Houellebecq‘s Soumission [Bilingual edition: Spanish – English] , Perspectivas de la Comunicación: Vol. 11 No. 1 (2018): january - august
- Giacomo Buoncompagni, Between cultural mosaics and institutional practices. Between cultural mosaics and institutional practices. Attempting to build a model of intercultural public communication. , Perspectivas de la Comunicación: Vol. 17 (2024): (Publishing on a rolling basis)
You may also start an advanced similarity search for this article.
Downloads
Published
How to Cite
Issue
Section
License
- Proposed policy to offer Open Access Journals
Authors who publish with this journal agree to the following terms:
a) Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution Attribution (CC -BY 4.0) that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
b) Authors are able to adopt licensing agreements for the non-exclusive distribution of the journal's published version of the work (for example, to post it to an institutional repositories or publish it in a monograph), with an acknowledgement of its initial publication in this journal.
c) Authors are allowed and encouraged to post their work online (For example, in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges and increase the citation of published work (See The Effect of Open Access).